Yves Klein Untitled Blue Monochrome Charging Prices Art Market

The Most Expensive Yves Klein Paintings Sold at Auction

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Yves Klein paintings are notwithstanding perceived as revolutionary in the history of the post-state of war European fine art. His famous monochrome paintings, in particular, have been praised for the use of 1 single, principal colour alone: blue. This particular nuance was patented by Yves Klein himself and it became famous as the International Klein Blue (IKB). Klein began painting monochrome paintings early in a career (in 1949, when he had 21). The first public showing of Yves Klein'south monochrome paintings appeared in the publication of the Artist's book Yves Peintures in November 1954. I of the most important exhibitions of Klein's work took place in 1956, at Galerie Colette Allendy. The exhibition featured orange, yellowish, cherry, pink and blueish monochromes. All the same, Klein was disappointed, equally the public linked the artworks to mosaics. Klein's frustration led him to research and finally discover the famous IKB. He used to hang the blue monochrome paintings by attaching them to poles placed 20 cm away from the walls to increase their spatial ambiguities. And indeed, these Yves Klein's blue works are almost intangible, ethereal and completely illusive, making the observer question space and the material nature of the world.

The Importance of Yves Klein on the French Art Scene

Yves Klein was the leading member of the French artistic motion of Nouveau réalisme founded in 1960 by the renowned art critic Pierre Restany. The movement could be understood every bit a "French reaction" to Pop-Art that became popular in the U.s.. This grouping, together with other ones such as Fluxus, were i of the numerous tendencies of the avant-garde in the 1960s.

It's important to emphasize that Yves Klein is likewise known as one of the pioneers of performance art not only in France only worldwide. His performative painting sessions and monochromes were used to experiment with colors in a more physical way(apart from monochrome paintings). This experimentalism includes works where Klein used naked female models as vessels, covering them in blue paint and dragging them beyond canvases to make an prototype, using the models as "living brushes". This blazon of work the artist chosen Anthropometry. Finally, Klein's work largely influenced the latter practice of artists associated with Minimal Fine art and Pop Art.

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Editors' Tip: Yves Klein: With the Void, Full Powers

I of the main goals of Yves Klein was to capture the immaterial. Born in Nice, French republic, in 1928, Yves Klein created what he considered his outset artwork when he signed the sky above Nice in 1947. Certainly one of the last century's most influential artists, Yves Klein (1928–1962) took the European fine art scene by tempest in a prolific career that lasted only from 1954 to 1962, when he suffered a center attack at the age of 34. The artist carved out new aesthetic and theoretical territory based on his study of the mystical sect Rosicrucianism, philosophical and poetic investigations of space and scientific discipline, and the do of Judo, which he described as "the discovery of the man body in a spiritual space."

Featured image: Yves Klein - Anthropometrie Le Buffle (ANT 93) / Yves Klein - IKB 92 / Yves Klein - Peinture de feu couleur sans titre, (FC 27) / Portrait of Yves Klein

IKB 92

This is a typical example of International Klein Blue (IKB) painting. IKB'southward visual touch comes from its heavy reliance on Ultramarine, as well as Klein'south often thick and textured application of blue paint to canvas. During his career, Yves Klein created dozens of these paintings, and they have been exhibited worldwide. IKB 92 was sold for $ix,264,400 at Sotheby'due south London in 2015.

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Featured image: Yves Klein - IKB 92. Courtesy Sotheby'south London

Relief eponge or (RE 47 2)

Relief eponge or (RE 47 II) was created in 1961. Those were the years when gilded, in particular, challenged Yves Klein to new heights of technical mastery. He was studying the technique of gilding in London and had e'er been enlightened of the potentials of this costly and difficult material. This piece of work was created when Klein work became very popular in the US. Relief eponge or (RE 47 Ii) was sold for $ix,169,100 at Christie'south London in 2010.

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Featured prototype: Yves Klein - Relief eponge (RE 47 Ii). Courtesy Christie's London

Peinture de feu couleur sans titre, (FC 27)

Peinture de feu couleur sans titre, (FC 27) was made in the last year of the artist's life. This stunning Yves Klein painting, together with others that comprise the series of similar works, was described as baroque "fire color painting" by the critic Pierre Restany. The painting was originally part of the collection of François de Menil, the son of legendary collectors Dominique and Jean de Menil. It was sold at Christie'south London in 2015, for $9,289,700.

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Featured epitome: Yves Klein - Peinture de feu couleur sans titre, (FC 27). Courtesy Christie's London

Anthropometrie Le Buffle (ANT 93)

Executed in 1960 and 1961, Anthropom/aetrie "Le Buffle" (ANT 93) presents the viewer with an absorbing, immersive picture surface in which Klein's patented IKB, or International Klein Blue, has been vigorously smeared across naked models. The bodies' imprints merging together create a colossal, abstract entity that conveys some notion of orgiastic bluish free energy. This type of Yves Klein's blueish paintings is called Anthropometry. This painting was sold for $12,402,500 at Christie's New York in 2010.

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Featured epitome: Yves Klein - Anthropom/aetrie "Le Buffle" (Pismire 93), 1960-1961. Courtesy Christie's New York

Relief eponge bleu (RE 51)

Relief eponge bleu (RE 51) is an artwork in which Klein perfectly merges painting with conceptual fine art. As the artist himself describes: "When working on my pictures in the studio, I sometimes used sponges. Naturally they turned blue very rapidly! [and] i solar day I noticed how beautiful the blue in the sponge was, and the tool immediately became a raw textile. The extraordinary capacity of sponges to absorb everything fluid fascinated me. Thanks to the sponges I was going to exist able to make portraits of the observers (lecteurs) of my monochromes, who, after having seen, after having voyaged in the blueish of my pictures, return totally impregnated in sensibility, equally are the sponges." This Yves Klein'south blue artwork was sold for $16,965,000 at Sotheby'south London in 2014.

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Featured image: Yves Klein - Relief eponge bleu (RE 51). Courtesy Sotheby'due south London

IKB i

IKB ane is i of nearly two hundred blue monochrome paintings Yves Klein created. By using this radical technique and mode, the artist rejected the notion of representation in fine art, and by doing so (as the artist believed), a complete creative liberty could be accomplished. IKB 1 was sold at Sotheby'south New York in 2008, for amazing $17,400,000.

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Featured image: Yves Klein - IKB one. Courtesy Sotheby's New York

Archisponge (RE eleven)

Archisponge (RE 11), from 1960, is largely praised as one of the virtually evocative and stiff representations of the artist's unique and uncompromising art and, every bit reflected in its title, a summation of the artist's Sponge Relief series. Yves Klein grew upward on the Mediterranean coast and he was affected past the void of body of water and sky every bit uninterrupted spatial fields. This is important to mention due to Klein's all-encompassing use of the bluish color besides. This amazing artwork was sold for $21,400,500 at Sotheby's New York in 2008.

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Featured paradigm: Yves Klein - Archisponge (RE 11), 1960. Courtesy Sotheby'southward New York

Sculpture Eponge Bleue Sans Titre, Se 168, 1959

Drenched in Klein's unmistakable International Klein Blue pigment,SE 168 is the definitive archetype of the legendarySculptures éponges.Discussing this series, the artist explained that he ofttimes used sponges in his studio that would apace turn blue. Realizing the beauty of the blue in the sponge, he decided to use it as a raw material.

It is that extraordinary faculty of the sponge to get impregnated with whatever may be fluid that seduced me. Thanks to the sponges – raw living matter – I was going to be able to make portraits of the observers of my monochromes, who, later having seen, after having voyaged in the blue of my pictures, render totally impregnated in sensibility, as are the sponges.

The present work is truly spectacular due to its calibration and the intricacy of its sponge composition.

The work was sold on May 14th, 2013 at Sotheby'due south New York for $19,500,000.

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Featured epitome: Yves Klein - Sculpture Eponge Bleue Sans Titre, Se 168, 1959. Courtesy Sotheby's New York

MG9

MG9 is one of the most important pieces of Klein's conceptual art. Klein described his ritualistic instructions for selling "Zones of Pictorial Immaterial Sensibility" which subverted capitalist trading strategies. With help from the dealer Iris Clert, Klein noted that he: "had made 'receipts,' which look like bank checks. Klein actually wanted to give buyers opportunity to choose between 2 options: the start ane is that buyer pays the agreed upon amount of gold in exchange for a receipt. The second one is to buy an immaterial zone for gilt and and then to burn down the receipt. This is a perfect instance of Klein'due south exploration of "immaterialization". This slice was eventually sold for "real money" at Sotheby'southward New York in 2008 for $23,561,000.

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Featured epitome: Yves Klein - MG9. Courtesy Sotheby's New York

FC1 (Fire Color 1)

This painting is regarded as a masterpiece of Mod European art. FC1 (Fire Colour 1) is function of the creative person's historic Fire-Color paintings series. As Klein explained:

My aim is twofold; first of all to register the trace of human sentimentality in present-day civilization: secondly, to annals the trace of fire which has engendered this very same civilisation. And this because the void has always been my abiding preoccupation and I agree that in the middle of the void equally well equally in the centre of human, fires are called-for.

This stunning piece of art was sold for $36,482,500 at Christie'south New York in 2012.

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Featured image: Yves Klein - FC1 (Burn Color 1). Courtesy Christie'southward New York

Le Rose du bleu (RE 22)

The most expensive Yves Klein painting ever sold is Le Rose du bleu (RE 22). With its poetic and mysterious title of Le Rose du bleu (RE 22) which means "The Rose of Blue", this work is also a perfect instance not only of the series to which it belongs only as well of the unique color theory that came to boss and distinguish then much of the work that Klein made during the last years of his life. This masterpiece was sold for $36,753,200 at Christie's London in 2012.

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Featured image: Yves Klein - Le Rose du bleu (RE 22). Courtesy Christie's London

All Images used for illustrative purposes only.

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